This Sunday 17th at Torriano – 4.30pm – 8pm. Come all ye! Mince pies and mulled wine! Bring poems and food (and oranges) and drink to share.
View Agnes Hay’s strange and wonderful narancs mobiles and make your own erotic rabbits from orange peel.
19 November
The Wandering Frame is a day of screenings based around the experience of walking the city. The films presented include the process of contemplation, as one wanders and wonders on a walk or a cycle through the urban landscape. How do the architecture, people and history of our surrounding environments impact us and influence our thought processes? The “turmoil of life” of the metropolis is a trigger for reflexive states of mind, put in motion while we walk through its streets.
Two films will be shown at 2pm and 4.30pm at Torriano Meeting House
Cycling the Frame (Cynthia Beatt, Germany, 1988, 27mins) and The Invisible Frame (Cynthia Beatt, 60 mins, 2009, Germany)
“You sit and travel in a direction, your head is free, you can take your time or speed along, and your thoughts flow with you.” – Cynthia Beatt
From quotidian to-do lists to philosophical ponderings about history and the influence of the Berlin wall on the city’s inhabitants, the thoughts that accompany Tilda Swinton on her cycle resemble the stream of consciousness that occurs as one contemplatively wanders through the city.
Cycling the Frame follows Tilda Swinton as she rides along the Berlin wall in 1988, one year before its fall and as Germany enters a phase of change and reunification. The Invisible Frame traces the same journey 22 years later, in a modernised Berlin where very few traces of the previously imposing monument still remain. Screened together, they represent a filmed testimony to the absurdity of such border building. Questions arise when an erasure of the past isn’t as invisible as it seems; which is more strongly felt, the presence of the wall or its subsequent absence?
The screenings will take place on the 19th November across three non-traditional venues, Torriano Meeting House, The Constitution pub and the crypt of St Pancras New Church welcoming you to walk between these places to reflect on what you’ve just seen, discover new spaces in your city, or simply to get lost in streets or thoughts.
For more information see The Wandering Frame
Curated by Maureen Gueunet as part of the M.A. in Film Studies Programming and Curation at the National Film and Television School
“Libres” is a concert and a lecture, story telling and folk song presented by Pilar LopezIn 1936, in an unprecedented act of solidarity, people from many countries in Europe, Asia and the American continent traveled to Spain to risk their lives fighting fascism.
At the same time workers & their unions were engaging in a deep transformaion of society, a Social Revolution.
“Libres” brings stories, songs and images from these times and makes connections with today’s resistance to fascism and with contemporary currents striving for peace & liberty.
Hear Pilar here singing En la plaza de mi pueblo
More on the Libres project here
You are cordially invited to our commemoration of György Krassó and the 1956 Hungarian Revolution and Freedom fight
6pm Friday 20th of October
Russell Square, at Krassó’s tree, London WC1Krassó founded the Hungarian Association of London at Torriano Meeting House
A bi-lingual reading from the work of poet and political activist, Kosuke Shirasu, (1905-1943), by the joint interpreters, Bruce Barnes and Jun Shirasu.
The reading is in the memory of the poet’s daughter Ichiko Shirasu
Kosuke Shirasu (1905-1943) was born in Tokyo, and worked as a journalist and pamphleteer. His involvement in the Japanese Communist Party was reflected in his work in Akita City, producing and circulating a newsletter for local workers as well as documenting the farmers’ riots against local landowners. In 1928 he joined NAPF, the All Japan Federation of Proletarian Arts, contributing to its official magazine, Battle Flag; by 1930 he had collected and published many of these contributions in his pamphlet Strike.
Proletarian writers such as Kosuke worked under extremely adverse conditions: state censorship, the mass arrests of communists and other political activists that began in 1928, and the impact on morale of the renunciation of communism by the Party’s two most experienced activists, Manabu Sano and Sadachika Nabeyama, in 1933.
His poems are influenced by European styles of free verse and often explore multiple perspectives; however his main concern appears to be a desire to record the day to day experience of workers in struggle.
The ‘interpretation’ process
Over a four year period, Jun Shirasu, the poet’s grandson, searched libraries and journals for Kosuke’s work and then shared his partial English translation with the co-author Bruce Barnes; a definitive interpretation was then developed through email exchange, and through Bruce Barnes background reading on the Japanese social history of the period, the development of Communism and the proletarian writers movement in Japan.
About Ichiko Shirasu
Ichiko Shirasu, the poet’s daughter, was the inspiration for the publication: a BBC World Service journalist, translator, and a polymath who kept faith with her father’s socialist principles by demonstrating them through her kindness and generosity. Sadly, her untimely death meant that she was unable to see her idea come to fruition.
1917, International Women’s Day, Petrograd, Russia
Talk. Thursday 5 October, 7-9pm. Free.
Many left-wing accounts of the Russian Revolution – such as Neil Faulkner’s recent book A People’s History of the Russian Revolution – distort the course of the revolution. Anarchists tend to fall in with the mainstream picture of a coup by a tightly-controlled Bolshevik Party. Trotskyists such as Faulkner see the October Revolution as an ultra-democratic uprising of ‘the people’. Scholars such as Alexander Rabinowitch have built up quite a different, complicated picture of both the Bolshevik Party and the October Revolution.
In this event, Peace News editor Milan Rai, author of a new booklet on the Russian Revolution, will explain how the Bolsheviks rode to power on a wave of popular outrage (benefiting from crucial mistakes by their Menshevik and SR opponents) and then crushed the grassroots workers’ revolution that had been one of the most important engines of social transformation. They were aided in their work by the radical wings of the Mensheviks and the SRs, and by quite a few anarchists.
Milan Rai is an anarchist and radical activist, and the author of Chomsky’s Politics (Verso, 1995) and War Plan Iraq (Verso, 2002) among other books. He is working on The Anarchist Reader for Verso.
At our last Fun Palace a time machine was built, poetry was delivered from the top of a ladder, robots roamed the floor, Iraqi love songs were sung, telescopes were constructed, a mobile grew and grew, the beginning of the universe was pondered, thoughts were had, conversations were long, brains twitched, the spirit took flight, the soul had pleasure…and this year as we embrace the arts and science of the Russian Revolution something of the sort will grow again
Saturday 7 October, noon until 10 at night
Ladovsky’s 1921 drawing for a collective house, let’s build it!
Magma 68 reading: Anna Selby, Dawn Gorman, Joolz Sparkes, Nick Moss, David Gilbert and Michelle Penn
hosted by David Floyd
Double Bill start 7pm Saturday the 22 of July
“Resonance – Beings of frequency”
&
“Emerald forest”
